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Love, Literature, and Destruction: an Introduction to Marguerite Duras
Novelist, playwright, and experimental filmmaker, Marguerite Duras resists easy categorization. Despite endless attempts by critics and scholars to claim her for emerging genres and movements, it may be easier to say what she was not: she was not part of the nouveau roman (new novel) movement in France, she was not a forerunner of autofiction, she did not write autobiography, and essays, she thought, were “debased.” She didn’t care about Hélène Cixous’s description of her as a practitioner of écriture feminine (feminine writing) any more than she cared for Jacques Lacan’s claim that she was a “rapturer.”
She was and was not a member of the French Communist Party, a post-colonial thinker, a feminist—if we’re to believe Duras’s own account, anyway. Notwithstanding a body of work that spans all manner of writing and film, which draws ambiguously on her early life in the French colony of Cochinchina (now Vietnam), as well as her later love affairs, political activities, and alcoholism, what mattered to Duras was seeking a truth she saw as peculiar to literature. But what sort of truth does Duras’s work reveal: about love, desire, addiction, depression—and the destructiveness that shadows our social and interior lives?
This course will explore a selection of Duras’s expansive creative output to grapple with how she treats desire, seduction, memory, destruction, melancholia, silence, and femininity. Readings will be drawn from the following:The Lover, Destroy, She Said, The Malady of Death, The War, Emily L., Green Eyes, India Song, andHiroshima, mon amour.
Secondary reading will include work by Michel Foucault, Jacques Lacan, Maurice Blanchot, Julia Kristeva, Hélène Cixous, Pierre Fédida, and others. We will ask: How is desire portrayed within matrixes of colonial and gendered power dynamics? In what ways does memory become attached to missing photographs or unmoored, “without recollection,” in Foucault’s words, and how does this technique inscribe forgetting at the exact place we expect to find remembrance? What does the pervasive theme of destruction suggest about melancholia, love, and loss?
What’s at stake in her preoccupation with an austerity of language that reaches for silence? How might we read Duras’s ambivalent political actions and affiliations alongside, in, and through her work? What kind of ethics might be at work in her representations of atrocity? Above all, we’ll be curious about the writing itself and how it traces a certain style of a distinctive character.
This course is available for "remote" learning and will be available to anyone with access to an internet device with a microphone (this includes most models of computers, tablets). Classes will take place with a "Live" instructor at the date/times listed below.
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This class isn't on the schedule at the moment, but save it to your Wish List to find out when it comes back!
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The Brooklyn Institute for Social Research was established in 2011 in Boerum Hill, Brooklyn. Its mission is to extend liberal arts education and research far beyond the borders of the traditional university, supporting community education needs and opening up new possibilities for scholarship in the...
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What is poetry, and what is it good for? Today, poetry is often pronounced dead. Yet at the same time, we remain, to cite the New York Times, “poetry curious.” We sense, as Aimé Césaire sensed, that poetry encompasses some “greater feeling” that goes uncaptured by scientific classification and explanation. For Audre Lorde, poetry is...
What is poetry, and what is it good for? Today, poetry...
Read moreMonday Apr 10th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
at Brooklyn Institute for Social Research -
Is the novel an intrinsically modern form? Are prose works like Satyricon, Daphnis and Chloe, and The Golden Ass actually ancient novels? These narratives of ancient Greece and Rome offer a kaleidoscopic array of fictions: pastoral tales of erotic exploration; fierce satires of urban life and aristocratic rapacity; fantastical accounts...
Is the novel an intrinsically modern form? Are prose...
Read moreWednesday Apr 12th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
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Society and the Spirit of Capitalism: an Introduction to Max Weber Max Weber sought to explain nothing less than the emergence of the modern world and the direction in which it was headed. A trailblazer (along with Karl Marx and Emile Durkheim) of the modern discipline of sociology, Weber brought to bear empirically driven methods of comparative analysis...
Society and the Spirit of Capitalism: an Introduction...
Read moreThursday Apr 13th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
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Jorge Luis Borges’ fiction is uniquely powerful for its captivating amalgam of political, mystical, and metaphysical themes. In this course, an introduction to Borges’ most canonical works, we’ll read his great short story collections Ficciones and The Aleph, as well as the essay collection Other Inquisitions—bearing in...
Jorge Luis Borges’ fiction is uniquely powerful...
Read moreThursday Apr 13th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
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Pornography is one of humanity’s oldest, and most enduring artifacts. Variously celebrated and demonized, it has decorated sumptuous palaces and been furtively sold under pain of arrest. In the modern United States, it is kept studiously out of sight, and yet is simultaneously omnipresent and accessible in its most explicit forms with a simple click...
Pornography is one of humanity’s oldest, and most...
Read moreThursday Apr 13th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
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Emigrating from the European periphery to its intellectual center, Julia Kristeva exploded like a bomb onto the insular world of French theory. Her first book, Revolution in Poetic Language, put forth a wholly new understanding of human communication—insisting on the non-linguistic rhythmic dimension that undergirds all language. Her emphasis...
Emigrating from the European periphery to its intellectual...
Read moreThursday Apr 13th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
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Theorizing Repression: From Psychoanalysis to Counterinsurgency Theory “The individual’s dangerous desire for aggression,” theorized Sigmund Freud in Civilization and Its Discontents, can only be “disarmed” by the establishment of “an agency within him to watch over it, like a garrison in a conquered city.” For some, Freud’s...
Theorizing Repression: From Psychoanalysis to Counterinsurgency...
Read moreSunday Apr 16th, 2pm - 5pm Eastern Time
(4 sessions)
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In recent years, there has been unprecedented growth in the visibility and sheer number of people who identify with a gender other than the one they were assigned at birth. Trans life and, with it, a whole world of trans culture—aesthetics, style, taste—has broken from the margins into the mainstream. This new generation of “gender subversives”...
In recent years, there has been unprecedented growth...
Read moreSunday Apr 16th, 2pm - 5pm Eastern Time
(4 sessions)
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While contemporary political discourse is often characterized by heated discussions of liberalism or fascism, socialism or “populism”, the broad category of “conservative” thought seems to take a back seat. This despite its enduring relevance not only for understanding political history and the history of political thought, but also as an analytical...
While contemporary political discourse is often characterized...
Read moreTuesday Apr 18th, 6:30pm - 9:30pm Eastern Time
(4 sessions)
Part of the Plants, Cuisine and Culture series, Indian Cuisine with Simon Majumdar online program is presented in partnership with Franklin Park Conservatory, Lewis Ginter Botanical Garden, Missouri Botanical Garden, and Phipps Conservatory and Botanical Gardens. Plants are intimately linked to our cultural identities and food traditions. Plants tell...
Part of the Plants, Cuisine and Culture series, Indian...
Read moreMonday May 8th, 6pm - 7pm Central Time
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