Christina Campanella

Teaches at Harvestworks | Digital Media Arts Center

Christina Campanella is a composer, performer and sound artist in music, theater, visual art and film. She has worked with composer-visual artist Joe Diebes, kinetic sculptor Arthur Ganson, multidisciplinary theater-artist Jim Findlay, and directors Phil Soltanoff, Toni Dove, Mallory Catlett, and Richard Foreman. Scores for film and live performance include: Parts Are Extra (with filmmaker Peter Norrman), Red Fly/Blue Bottle and Tinder (with Stephanie Fleischmann and Latitude 14). Her live-sound installation Breathe (Ganson) is on view in the Museum at MIT in Cambridge, and she will appear in Dream Of A Red Chamber at Mass Live Arts (Summer 2015). She has performed throughout the US and abroad, and received support from NYSCA, Mass MOCA, HARP, American Music Center, Whitman College, Mid-Atlantic Arts, Meet the Composer, LMCC, and NY State Music Fund.

Sound Designer Jim Dawson has been a creative force behind innovative uses of audio technology in performance since 1994, as a longtime collaborator of The Wooster Group, Trisha Brown, Jim Findlay and others at the vanguard of experimental theater and dance. He has worked in film and TV, toured the US and internationally, been nominated for an Emmy, and garnered Drama Desk, Independent Film Spirit, and Jeff Awards.

Writer Stephanie Fleischmann is a 2014–15 Howard Foundation Fellow in Playwriting and an alumnus of New Dramatists. Her current commissions include two operas premiering in 2015. She has received 2 NYFA fellowships, a NYSCA commission (for Red Fly/Blue Bottle), and Frederick Loewe and NEA Opera/Music-Theater awards.

Director Mallory Catlett works closely with a handful of theatrical enterprises: Latitude 14 (Tinder, Red Fly/Blue Bottle), Banana Bag and Bodice (The Sewers, The Fall and Rise of the Rising Fallen, Beowulf, Space//Space), Aaron Landsman (Patient Boy, City Council Meeting) and Juggernaut Theatre Co. (Oh What War, The First 100 Years, Hair Blood Vinyl). Her 2013 This Was the End garnered an OBIE, 3 Bessie nominations and a Hewes design award.